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I only recently watched the original Pete's Dragon, a technicolor musical about an orphan sold into slavery and his pet dragon. Upon escaping from his captors Pete and the titular creature go to a sea-side town, getting into mischief and befriending the lighthouse keeper. However, Pete's owners are looking for him, and there is a greedy snake-oil salesman who sees a money making opportunity in capturing the dragon. The songs were good, the acting was not subtle, and the villains were moustache-twirling (in one case, very literally) - but it was a thoroughly enjoyable film, very much of it's time. Disney's odd fascination with remaking it's classic films to be "grittier" continued with a 2016 version. The film is immediately more on-the-nose, as we meet Pete as a very young boy, orphaned by a car crash, and then lost in the woods for years. Cut to a few years later, when the forest is being cut down by a logging company, and Pete is discovered. The ch

The Lego Batman Movie is, I suspect, a pseudo-sequel to "The Lego Movie", which was awesome.  Will Arnett (Job from Arrested Development) reprises his role as Lego Batman, the arrogant loner who graced us with the greatest song ever written: The story is multi-faceted, but largely boils down to Batman needing to learn the importance of teamwork, family, and hatred. Hatred? Why, yes. One of the driving forces behind the story is that the Joker's relationship with Batman is metaphorically almost sexual in nature, and it is utterly hilarious! Part of the joy of the writing of this film is how it is aware of the inherent silliness of Batman, while also crafting an interesting and emotionally engrossing story. The silliness is also enhanced by factors that make me think of it as a pseudo-sequel to the Lego Movie. Those facts are that Gotham is described as being built upon a delicate platform above a void (i.e. a table) and that when characters shoot guns the voice